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play a crucial role in photography expeditions. In Madagascar, carrying camera gear on your back for hours over hills and through forests is not uncommon. My own backpack, weighing 13kg, has often made me break a sweat. However, the results of my photo journey have made me forget the hardships. Considering this, it is important to have your camera, lenses, and flashes well-coordinated. I can’t provide general advice here as I believe every photographer finds their own path that aligns with their unique photographic style. However, I can offer a few tips on additional equipment that I usually bring along.

To be able to capture the best moments during your trip, it is essential to have the right equipment. Here are some must-have items for any photographer:

  • Enough batteries for your camera and flashes to last 3-4 days without access to a power outlet
  • External data backup in an image tank or laptop
  • A good travel-friendly tripod like the Manfrotto 055XPROB
  • A bean bag
  • Old transparent shower caps (often found in hotels)
  • Enough CF/SD memory cards
  • Polarizing filter / ND filter / Remote shutter release

When considering the weight of accessories, it is important to also take into account the restrictions on carry-on luggage imposed by individual airlines. There are fewer flight connections from Europe to Madagascar than one might think. I highly recommend the connection from Paris (CDG) in this case. Air France allows passengers to bring 1 piece of carry-on luggage + 1 additional item weighing a total of 12kg on all flights on this route. Together with the 2x 23kg checked baggage allowance, this should be sufficient for any hobbyist to semi-professional photographer. If you have sliders/rails/boom arms or similar equipment, be sure to check with the airline for any additional restrictions.

If you need to book excess baggage.

Upon arriving in Madagascar, you should adapt to the local customs and conditions, just like in any other country on our planet. We are guests in Madagascar and as photographers, we should approach people slowly, gently, and with a lot of sensitivity. This is especially important when photographing individuals. Consider how you would react if a complete stranger took your picture on the street and then walked away. Rely on our

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